Categories . the Terms and Policies, and to receive email from Rotten Tomatoes. Shot well, good acting and the 1 star review is right, it does lose its way but there's absolutely no way this is a 1 star film. But Cornelia puts a stop to . Dont worry, it wont take long. As the film's heroine deals with an identity crisis, finding herself as she overcomes trauma, the film itself is undergoing a similar journey. And theres a genuinely unsettling moment where Cordelia leaves London for an interlude at her stepmothers house in East Anglia, a journey which proceeds as weightlessly as a dream and perhaps it is a dream. Antonia Campbell-Hughes, will be in demand for a long time, judging by how well she fleshed out her 'Cordelia' character - no small challenge considering how thin she is. We, as audience members, are not entirely sure just what were witnessing: is it a mental unraveling of a damaged woman? Amid her recovery, hope is renewed with a possible romance, only for that hope to be fleeting after certain revelations occur in the second and third acts. Meanwhile, Cordelia begins to recall her unpleasant childhood memories with her father because of her presence at home. Alone and frightened, she seeks the help of Frank, who, while trying to be reassuring, sets off some alarm bells with the viewers. The script doesnt ride to the rescue: its unimaginative, clunky, full of dazzlingly tedious lines about stuff like RADA (Cordelia went, and says she was really good at acting before drama in her own life cannibalised her career. The intention is to . Something happened to her 12 years ago that shed rather not talk about, and the film charts her descent over a weekend from almost-okay to screamingly not. It seems odd that the alien race chose to save Caleb and Abby and raise two strange human children, but it was so the human race could start again. We won't share this comment without your permission. The consent submitted will only be used for data processing originating from this website. We want to hear what you have to say but need to verify your email. Now, Graham's making Film Threat cares about your privacy and the security of your information. And Frank seems nice enough, but after he takes Cordelia to a weirdly deserted bar and he has to step out for some reason and she sees creep-shoot photos of herself and Carolineor is it just her? Right when Cordelia and her father start building their friendship through working together on the furniture, the father regains his memory and instinctively reverts to the distant father he once was. So, it is fairly apparent that Quentin was Abilene's drug dealer, who just let her die because if she called 911, she would take Quentin's secret deal down with her. One of the men who was invited in is found dead and the woman is suspected and judged for her immoral act rather than the crime of murder she may have committed. Cordelia is a walking-talking porcelain vase: rake-thin, see-through and perilously beautiful. Language includes variants of "f--k" and "s--t." There is also occasional drinking and smoking. The beautiful light in the jail makes Cordelia's imprisonment appear unnecessarily romantic. She develops an increasingly disturbing relationship with her neighbor, Frank ( Johnny Flynn ), during a weekend home alone. In "Cordelia," a thriller directed by Adrian Shergold from a script by Shergold and the film's lead actress, Antonia Campbell-Hughes, the title character, who shares a home with her twin sister Caroline (also played by Campbell-Hughes), lives in a flat whose textured green wall coverings are pretty much the exact opposite of welcoming. Cordelia strikes up a friendship with Frank (Flynn) the charming, but strange and unreliable young man they can hear practising his cello in the upstairs flat a relationship which quickly becomes very disturbing. Each frame seems bled of any sharp colors, even in the most well-lit locales, enhancing Cordelias melancholy. British thriller has language, violence, themes of trauma. . Violence, language, suspense in Hitchcock-inspired mystery. We dont find out exactly what happened. Some of the acting felt clunky and the story felt really messy, there were too many elements that didn't totally make sense and not nearly enough pay off. Cordelia is frustratingly good at getting under the skin, but it becomes more frustrating than good as it nears its finale. Cordlia is a 1980 Canadian French language film directed and written by Jean Beaudin. By creating an account, you agree to the Both Campbell-Hughes and Flynn play their characters, Cordelia and Frank, with a veil of secrecy and mystery that adds to the nervy atmosphere. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. From left . Meanwhile, a bright ball of white light drifts . Later that morning they find a draft of a furniture and decide to finish making it. At least, that is what we perceive through Cordelias eyes. Cordelia ( Antonia Campbell-Hughes) is a woman living with the ongoing effects of trauma. Caroline serves as Cordelias caregiver following a past incident that dictates her every motion. We want to hear what you have to say but need to verify your account. John Koestler's kids are central to why some still want the Knowing ending explained. July 11, 2020. Required fields are marked *. And no amount of stellar acting or competent filmmaking can overcome a shoddy ending. Research shows a connection between kids' healthy self-esteem and positive portrayals in media. Your email address will not be published. Published by at 14 Marta, 2021. You can smell the musk. Bianca Lawson, who would go on to appear as the vampire slayer Kendra, was originally cast as Cordelia. It follows the story of an English woman, Lady Cornelia Locke, as she travels to America and then rides across it in search of the killer of her son. I really had no idea what was going on in 80 percent of this movie, but held on for resolution at the end. Aug. 14, 2019. But before long, it seems that somethings a bit off. Over the course of six episodes, the pair endured numerous gruesome moments as they rode across the American West, encountering outlaws with a penchant for scalping, discovering an orphaned child. Dropping in on a play rehearsalof King Lear, as it happens, and shes understudying a part, but not necessarily her namesakes partshe makes her way back home by walking over Festival Bridge. Cordelia (Antonia Campbell-Hughes) is a woman living with the ongoing effects of trauma. The scene itself is masterfully done, with the entire sequence ramping up the drama as Cordelia steps into her power and prepares to face danger head on, but the moment of triumph quickly dwindles when the answers to viewers' questions don't get answered. I will start by saying I was not happy that I paid 7$ to watch this highly rated piece of empty garbage! Johnny Flynn isnt bad, but it becomes wearing to watch such a charismatic actor go to waste. But occasionally the prettiness of these images creates a discord in the film, not unlike that resulting from the unexplained plot details already discussed. This was completely all over the place, pointless, awful and had no rationale included anywhere. The ending of the film is probably the most Peele-esque (if we may use that word) segment of the film. The intention is to illustrate how unstable Cordelia has become (or has always been) by this point. The dramatic thriller is filled with ambiguity, both in character motives and the overall tone. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); In-depth movie review, featured posts, and advertisements. If you love figuring out symbolic meanings and interpreting nebulous themes, then you may be more inclined to enjoy this movie. However, the conclusion is unsatisfactory because it ultimately gives audiences nothing. Except for that scene, everything seemed too cliche. We and our partners use cookies to Store and/or access information on a device. However, as the film reaches the climax and all is to be revealed, it suddenly pulls the rug and stops short of perfection. 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Rooms are ill-lit, utterly unrealistic, and audible dialogue seems to get munched up by the horrible curtains. Shergold and Campbell-Hughes have crafted a bold look at two desperately damaged souls that is not afraid to venture to darker places and refrain from pat Hollywood endings. To view the purposes they believe they have legitimate interest for, or to object to this data processing use the vendor list link below. Cordelia is more a mood piecea catastrophic bad mood piece. As everything is recorded for Ben, he tells Ben that this podcast, which will eventually spread across America, will let everyone come up with their voice. is as enigmatic as its title character for the majority of its runtime. Marvel Movies Ranked Worst to Best by Tomatometer, Jurassic Park Movies Ranked By Tomatometer, The Most Anticipated TV & Streaming Shows of March 2023, Pokmon Detective Pikachu Sequel Finds Its Writer and Director, and More Movie News. At least, that is what we perceive through Cordelias eyes. While the narrative leaves a lot to be desired, the film as a whole is quite engaging. Its dark, slightly off-kilter and enjoyably strange, with Campbell-Hughes delivering a stellar double performance that carries events forward. What did it contribute to the movie? But alas, its a present-day 'psychological thriller', whatever that means, which neither thrills nor offers any glittering aperus into the human psyche. One weekend her twin sister Caroline (also Campbell-Hughes) leaves on a trip with her boyfriend, leaving Cordelia to fend for herself. At first, Rosemary resists, but when she hears the baby cry, her mothering instincts kick in, and she rocks the cradle. Each interaction is met with trepidation and nerves. Cordelia finds herself ambivalent about her father's recovery. Retrain in cyber, babe). Just confirm how you got your ticket. Some people tolerate more ambiguity than others. Cordelia, who has been left traumatised from an event from the past, sees her recovery thrown into turmoil when her sister leaves for a weekend away, according to film site Flickering Myth . By its conclusion, the film offers no easy answers, as the ending will undoubtedly provoke conversation. It's Dione's birthday and following an afternoon rendezvous where their mother has offered to . She had until recently a relationship with her supervisor who ended the affair. One morning, they bump into each other in the workroom and have their first authentic conversation in a long time. Ferdosa (she/her) is a lifelong student of cinema. And the way it doesnt stay tethered is what gives the movie its distinctive quality. But with its lush cinematography, archaically creepy set design, and outstanding balancing acts from both Campbell-Hughes and Flynn, its never muddied to the point of being opaque and remains enthralling throughout. Coming Soon. HBOs Rain Dogs Finds Humor, Despair in the Working-Class Mum at its Center, Berlinale Highlights, Part Three: Hummingbirds, Concrete Valley, Afire, The Oneness of All Things: On Sofia Alaouis Animalia, New York International Childrens Film Festival Opens Window to the World. Common Sense Media's unbiased ratings are created by expert reviewers and aren't influenced by the product's creators or by any of our funders, affiliates, or partners. It's a claustrophobic chamber drama about emotional breakdown co-written for the screen by Campbell-Hughes with the film's director Adrian Shergold. Shergold and Campbell-Hughes have crafted a bold look at two desperately damaged souls that is not afraid to venture to darker places and refrain from pat Hollywood endings. Unfortunately the plot only intrigues up until the final half hour. How did it affect you? Unsettling thriller about grief has sex and some violence. Only Michael Gambon, whose cameo provides the best two minutes in the film, really shines, as a crusty old Londoner desperate for company. | Launch List. The ending offers no resolution and no clarity as to what Cordelia and Frank are to each other. Cordelia contains cameos from Alun Armstrong and also Michael Gambon, as the scatterbrained elderly neighbour who starts a highly unwelcome conversation about whether or not having mice in your flat means you wont have rats. While the actors brilliantly play against each other, giving us that oh-so-sweet taste of the erotic psychological thriller promised in that poster, the end simply fails them and fails the audience, too. Not being able to assure the existence of this friendship with her father, Cordelia returns to the city to carry on her life until one day she comes home and finds a package sent by her father 10 Video Games That Need a Live Action Adaptation, 2023's Most Anticipated Sequels, Prequels, and Spin-offs. Weve seen this trope dozens of times before; its obvious when the phone is about to ring and by the second call we know whats going to be on the other end. Good movie, but not for everyone though. And then theres the upstairs neighbor, Frank, who practices cello at almost all hours but plays well and seems relatively nice. AND struggles mentally with a recent trauma she's still recovering from. Does exposure to violent media desensitize kids to violence. During their meeting, Frank receives a call and suddenly exits the pub from the back, asking Cordelia to accompany him. Please click the link below to receive your verification email. The narrative is barreling towards a conclusion that has these two at each other's mercy, with only one of them destined to come out of it alive. Martin photographe, Cordelia is also a sumptuous period piece of pastel colours, soft, expressive lighting and glimpses of a visually beautiful past. Others may love it. She's come from Brussels to meet him, and he takes her for a walk to inform . The Western drama series on Amazon Prime Video, "The English," is a tale of love, revenge, and forgiveness played out in the heart of the wild west. The manipulation of an opportunist creeper? At one point, Cordelia asks, Am I safe with you, Frank? To which he replies, Am I safe with you?. While shes preparing for her morning routine, we hear the somber strings of a cello over the soundtrack. There's a sickly green light at the end of the graffiti-covered tunnel in writer/director Alex Klaus' transcendental feature debut,The Lost. Lawson's quote has been included below. If you would like to change your settings or withdraw consent at any time, the link to do so is in our privacy policy accessible from our home page.. Coming Soon, Regal Your purchase helps us remain independent and ad-free. Shes helped along the way to madness by her upstairs neighbour Frank (Johnny Flynn), a jobbing cellist with pillowy lips and a discordant geezer accent. The Times caught up with the actress before the film's release on video on demand and in select theaters to talk us through that "extraordinary and bizarre" ending. Sometimes its just enough to have the wallpaper closing in. I think it is a good watch for those who are into this type of movie (trauma/psychological/mild thriller). Get a grip, lady! I just hate when filmmakers fixate on a premise and try to build an entire movie around it. The Douglas character, named Nicholas Van Orton, is surrounded by employees who are almost paralyzed by his rigid demands on them . The movie seems to be about how he is reduced to humility and humanity--or maybe that's just a trick on him. Cordelia has bad dreams, and when she wakes up were not sure if shes really snapped out of them. Cordelia, written by director Adrian Shergold and star Antonia Campbell-Hughes, opens with a scene in which we see a young girl waking from a bad dream in her bed.While she's preparing for her morning routine, we hear the somber strings of a cello over the soundtrack. Did it seem necessary or excessive? He has written for a host of other publications and resides in Brooklyn. That's why we've added a new "Diverse Representations" section to our reviews that will be rolling out on an ongoing basis. Like Cordelia, it starts off as unassuming, but it becomes increasingly unpredictable and intriguing as she carries on. Youd be forgiven for assuming that Cordelia, the new film directed by Adrian Shergold, is a period drama: the poster certainly makes it look like one. When Frank takes a shine to her, she proves dangerously open to his advances. Yes? Browse titles with similar subject matter. Verified reviews are considered more trustworthy by fellow moviegoers. But Cordelias dilemma is not stoked by the ogling eyes of men, as it was in the 60s film. As a result, Cordelias encounters with others are punctuated with awkwardness. Coven of Sisters imagines Basque Country, 1609, to be riddled with evil, so when Ana and her village girls were found dancing in the night, there was only one explanation they are witches.When an inquisitor visits the village, the girls are arrested and placed in a small cell, where . Cordlia is a 1980 Canadian French language film directed and written by Jean Beaudin. Upon meeting Frank for an after-work drink, Cordelia stumbles across pictures hes taken of both her and Caroline from afar. It looks like we don't have any synopsis for this title yet. Or carbs. Did it handle these themes sensitively? The look of the film, too, leaves much to be desired: almost all of it plays out in a lugubrious flat with cakey wallpaper and uncomfortable vintage sofas. Earnest and sincere acting by Antonia Campbell-Hughes and Johnny Flynn (along with name-dropping cameos from Michael Gambon, Alun Armstrong, and Joel Fry) cannot buoy this vacuous mish-mash of tension tropes posing as psychological suspense. That feeling of dissatisfaction isnt about wishing for another movie. Todd Field 's " Tr" ends with disgraced conductor Lydia Tr ( Cate Blanchett) conducting the score of "Monster Hunter . Antonia Campbell-Hughes plays two women: Cordelia, an ailing actress, and her sexier sister, who bunks off near the start of the film to have a raunchy weekend in Bruges. This article discusses the ending of the Netflix film Coven of Sisters, so it will contain major spoilers. Why is that important? By continuing, you agree to the Privacy Policy and [4] According to Deschnes, there was no evidence that the real Cordlia Viau had not committed the murder, and thus the film's thesis that she was wrongfully convicted was slanderous to the judicial system.[4]. His gaze seldom leaves her, and hes uncharacteristically forward. Bit by bit, the atmosphere is filled with tension and suspense as Cordelia grapples with her mental fortitude in the face of uncertain danger. Respectful? A fine example of the 'psychological thriller' genre. You're almost there! As Peter lies unconscious in the garden, we hear the sawing continue until a final cut results in the sound a body hitting the ground in the attic. Even he struggles to fully inhabit the panting geezer-cellist character hes been dealt with, and who can blame him? She was convinced he was the caller but after she stabs him, she get the call and. Cordelia is one of those films that you watch and instantly want to watch again to go back and spot all of the little clues that you missed the first time around. The thought of such only heightens her anxiety. suggesting a diversity update. Starring: Antonia Campbell-Hughes, Johnny Flynn, Michael Gambon, Joel Fry, etc. Intense British period drama has sex, violence, language. Cordelia, we swiftly infer, needs a hug. Cordelia attempts to reclaim her power and overcome the stress, anxiety, and trauma of surviving a tragic event. Be the first to contribute. [2] Plot [ edit] Its a subtle juxtaposition of reality that sets the films tone. Cordelia learns that her father is in fact proud of her. According to Oscar Wilde, "Imitation is the sincerest form of flattery that mediocrity can pay to greatness." Graham Moore won the Best Adapted Screenplay Academy Award for his first feature-length script, The Imitation Game. Both are moody psychological thrillers but I have no idea how this has a lower rating. Shes one of a long line of drips in scary films who just dont know whats good for them: when she worries that someones in her flat, she turns the lights off, not on, and when the phone starts ringing and ringing endlessly, it takes her half the film to realise that she can simply disconnect it. Probably one of the best fight scenes in the boxing film world. You can help us help kids by We and our partners use data for Personalised ads and content, ad and content measurement, audience insights and product development. In CORDELIA, a young woman spends the weekend alone in her dark, dingy London flat. It is a psychological thriller that knows how to play on its audience's emotions. That ambience is skillfully accented by haunting oboe music in the background. and the cordelia film ending explained. Then it seems to detach and float into a dreamlike state of bypassing the whys and hows in favor of the unsettling and slightly bizarre. Original reporting and incisive analysis, direct from the Guardian every morning, heres a really interesting pairing of two really interesting screen presences Antonia Campbell-Hughes and. Adrian Shergolds Cordelia poses an intriguing premise wrapped in a strikingly atmospheric and claustrophobic presentation. In Cordelia, a thriller directed by Adrian Shergold from a script by Shergold and the films lead actress, Antonia Campbell-Hughes, the title character, who shares a home with her twin sister Caroline (also played by Campbell-Hughes), lives in a flat whose textured green wall coverings are pretty much the exact opposite of welcoming. , written by director Adrian Shergold and star Antonia Campbell-Hughes, opens with a scene in which we see a young girl waking from a bad dream in her bed. Cordelia released in theaters and on demand Friday, May 20. Natalie Holts score shoots straight for the heart as it pulls one into this stressful event.
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